|
ID |
Image |
Painting (From A to Z) |
Details |
|
30374 |
|
The Four Horsemen of the Apocalypse |
mk68
Manuscript illustration
London
c.1090-1109
Spain
|
|
77607 |
|
The Four Seasons Paying Homage to Chronos |
ca. 1737(1737)
Oil on canvas
95 cm (37.4 in). Height: 75 cm (29.5 in).
cjr |
|
30516 |
|
The Four Seasons with the Sun and the Moon |
mk68
Four folds of a six-fold screen painting,
with gold and silver leaf,entire screen
4'10"x9'10"
London,British Museum
c.1575
Japan
|
|
30935 |
|
The Four Seasons with the Sun and the Moon |
mk68
c.1575
|
|
43470 |
|
The Frontispiece |
mk172
marking off the cloistered area is especially noteworthy for both the hewn stone moldings and for the distribution of colors
|
|
43423 |
|
The functions of the inverstidura of its Excelentisima |
mk171
representative real,presidente,gobernador,superintendente general, capitan and
supreme commander
|
|
62821 |
|
The Funeral of Miltiades |
1782 Oil on canvas, 98 x 136 cm Musee du Louvre, Paris This painting was seized during the French Revolution from the collection of the Comte d'Angiviller |
|
73185 |
|
The Funfair at Night, Pont Aven |
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr |
|
62529 |
|
The Fury of Athamas |
1790-94 Marble Ickworth, Suffolk The marble group depicts the dramatic moment when Athamas, King of Thebes, snatches his son Learchus from his mother and smashes him against a wall. The fact that Ino, his second wife, thirsted for the blood of his children by her first wife had driven him mad. Author: FLAXMAN, John Title: The Fury of Athamas Form: sculpture , 1751-1800 , English , mythological |
|
64332 |
|
the game of cards |
late eighteenth century. stockholm
nationalmuseum |
|
73268 |
|
The Garden at Kervaudu |
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr |
|
48450 |
|
The garden at Oatlands Surrey |
mk190
before the 9th Earl of Lincoln-s alter ations
1737
|
|
48524 |
|
The garden of Count Johann of Nassau-Idstein |
lait out c.1650-70
|
|
48512 |
|
The Garden of Durdans House,Epson,Surrey Probably laid out in the 1630 and updated after 1660 |
nj190
1673
|
|
63557 |
|
The Garden of Eden |
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The other tree in the Garden is that of Knowledge, which is also the Tree of Death. It is embraced by the youthful St Sebastian, whose martyrdom (he was tied to a tree and killed by arrows) may be related to the crucifixion of Jesus. The figures sitting in front are easily recognizable by their attributes: the Archangel St Michael by the monkey-like monster cowering at his feet, who is the vanquished Satan himself; St George by his knightly clothes and by the corpse of the dragon, the embodiment of earthly wickedness.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious |
|
63558 |
|
The Garden of Eden |
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Mary appears in her usual colours, blue and red. Her attributes are illustrated by the flowers richly carpeting the foreground (lilies and lilies of the valley = purity; rose = illumination; violets = modesty and humility) . These flowers, which were also used for medicinal purposes, frequently became connected with the person of the Madonna. In a fourteenth-century poem from the Netherlands, surviving in manuscript form, twelve different flowers refer to Mary, eight of which can be found in this painting.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious |
|
63559 |
|
The Garden of Eden |
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Into the picture of love and undisturbed idyll enters music as the Child Jesus, assisted by St Catherine of Alexandria, plucks on a psaltery. Beyond expressing harmony, music in this picture also refers to the divine nature of this human Jesus. The duality of his being is also intimated by a cherry tree - here substituting for a tree of life - with its twin trunk and bough, from which St Dorothy picks fruit.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious |
|
63560 |
|
The Garden of Eden |
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The female figure wearing a white scarf and drawing from the water of life is St Barbara, whose humility and unshakable strong faith ties her closely to Mary.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious |
|
48501 |
|
The Garden of Fontainebleau as Laid out |
mk190
1614
|
|
48498 |
|
The Gardens of the Villa Farnese |
mk190
Rome,Engraving
1675
|
|
48578 |
|
The Garte Knight is Probably Frederick |
mk190
1737
|
|
49561 |
|
The German emperor Fellow WHISTLE had per heredity become harskare over one large valde,some include Spanien,Osterrike and Nederlanderna and also camp |
mk201
He law in ensign fejd with protestanterna.Har am seeing wes him to haste behind a victory over nagra protestantiska furstar.Malning of the Italian renassanskonstnaren Tizian. |
|
56794 |
|
The goldsmith shop |
mk250 Year in 1449. Wood oil of about 99 x 86 cm. New York Metropolitan Museum of Art. |
|
30356 |
|
The Good Shepherd |
mk68
Fresco,
Rome
Catacombs of Saint
Domitilla,Basilica of Saints
Nereus and Achilleus
|
|
42575 |
|
The Good Shepherd |
MK169
ca. 425 n. Chr. Mozaiek in the Mausolem of Galla Placidia Ravenna |
|
78094 |
|
The Gossip |
1900(1900)
Oil on canvas
52 x 73 cm (20.5 x 28.7 in)
cjr |
|
62555 |
|
The Grandmother's Birthday |
1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre |
|
52525 |
|
The Grandmother-s Birthday |
1856 Oil on panel, 71 x 58 cm |
|
64987 |
|
The Great Chronicle of France |
1375 Illumination on parchment Biblioth?que Nationale, Paris The scenes on the picture illustrate the legend of the Trojan origin of the French. The upper two scenes show the siege of Troy. The codex was executed for Charles V King of France as indicated by the coat-of-arms held by the angels at the bottom of the page. , MINIATURIST, French , The Great Chronicle of France , 1351-1400 , French , illumination , historical |
|
39842 |
|
The Great Kuttra at Dacca |
mk153
ca.1812
Pencil on paper
34.6x49.5cm
|
|
49290 |
|
The Great Naval Battle at Memphis |
mk195
1862
Oil on canvas
30x42
|
|
48529 |
|
The Great Parterre at Longleat |
mk190
c.1700
|
|
75148 |
|
The Groenmarkt as seen towards the Westeinde |
ca. 1765
Oil on panel
cjr |
|
76966 |
|
The Groenmarkt as seen towards the Westeinde |
Date ca. 1765
Medium Oil on panel
cyf |
|
42600 |
|
The guest friendship of Abraham in the woods of Mamre, Page from the psalter of Lodewijk the Heijlige |
MK169
1253-70 Parchment
21x14.5cm |
|
45494 |
|
The guest meal of the here ode |
mk186
around 1625 Munchen, old Pinakothek |
|
72603 |
|
The H. M. S. Blonde, oil painting by Robert Dampier |
The H. M. S. Blonde, oil painting by Robert Dampier, 1825, Washington Place
cjr |
|
50902 |
|
The Haymakers |
mk216
The passion for portraiture,so maked a feature of English laste in the 18th century.
|
|
30370 |
|
The Heavenly New Jerusalem,from Commentary on the Apocalyse by Beatus |
mk68
Manuscrip illustration.
New York.
|
|
34143 |
|
The Hero Faramurz scatters the troops of the king of Kabul |
mk90
illustration to Firdawsi\'s Book of Kings
|
|
34239 |
|
The hero Isfandiyar slays Arjasp the demonking in the Brazen Hold |
mk90
Illustration to a manuscript of Firdawsi\'s Shah-Nameh for the Timurid prince Muhammad juki
Herat
c.1440
|
|
71884 |
|
The Highway Robbery |
The Highway Robbery, Oil on oak panel, 31.6 x 46.4 cm, Detroit Institute of Arts, USA.
|
|
34252 |
|
The Hindu king Dabshalim visits Bidpay the Brahmin in his cave to learn the secret of the animal fables of Kalila and Dimna |
mk90
Illustration,painted in Lahore or Agra between 1604 and 1610 by the Indo Muslim artist Abu I Hasan,for the Anwar i Suhayli
the Fifteenth century persian Rendition of the fables by Wa iz i Kashifi of Herat. |
|
51114 |
|
The Holy Family with Angels |
c. 1410
Tempera on wood,
25 x 19 cm |
|
45887 |
|
The holy Georg and the dragon |
mk178
Tempera on material plaster and wood 61x47cm |
|
65061 |
|
The Holy Kinship |
1410-40 Tempera on oak, 85,3 x 95 cm Wallraf-Richartz Museum, Cologne The depiction of the extended Holy Family ('Holy Kinship') on the central panel of the triptych introduces one of the most popular new themes for paintings at the beginning of the 15th century. All Christ's relatives are gathered together, following a description in the Golden Legend of 1263-73 by Jacopo da Voragine. , UNKNOWN MASTER, German , The Holy Kinship , 1401-1450 , German , painting , religious |
|
65060 |
|
The Holy Kinship Altarpiece |
1505-10 Oak, 144 x 187 cm Wallraf-Richartz Museum, Cologne The central panel of the Holy Kinship Altarpiece depicts the Holy Kinship. The subject of Christ's relatives had been very popular from the beginning of the 15th century. On the left-hand wing are Sts Nicasius and Roch with the Cologne donor Nicasius Hackeney, who ran the fiscal administration of the imperial court; on the right are Sts Gudule and Elizabeth with the donor's wife, Christina (n?e Hardenrath). On the exterior of the wings are Sts Hermolaus, Achatius and his followers on the left, and on the right Sts Cecilia, Genevieve, Helen and Catherine, each with members of the donor's family. The altar was probably a donation to the Dominican convent of St Achatius where one of the donor's daughters was a nun. The artist of the altarpiece is referred to as the Master of the Holy Kinship. , UNKNOWN MASTER, German , The Holy Kinship Altarpiece (central panel) , 1501-1550 , German , painting , religious |
|
34092 |
|
The home of Augustus on the Palatine |
mk88
|
|
34248 |
|
The hoopoe addresse the soul birds beneath the Tree of Life Springing up from the fount of life |
mk90
While the devil as baffled hunter bites his finger
|
|
42052 |
|
The Hope Macarenz |
mk166
Final of the wood Sculpture 17th century. Church of the Hope Macarena Seville, Espana |
|
41847 |
|
The Hospitality of Abraham or The Trinity |
mk165
around
1420
142x114cm
|
|
48555 |
|
The house and garden at CHiswick as Inherited |
mk190
1716
|
|
48565 |
|
The House and garden at Stowe,as they were before Lord Cobham-s alterations of the 1720s |
mk190
c.1680
|
|
75537 |
|
The house where Joseph Haydn was born |
Description Haydn Geburtshaus Rohrau.jpg
Oil painting of Carl Bobies:The house where Joseph Haydn was born
Date original before 1897
cyf |
|
71487 |
|
The Hudson at the Tappan Zee |
ca. 1876(1876)
Oil on canvas
61 x 107.1 cm (24.02 x 42.17 in)
|
|
52753 |
|
The Hunt of all 15th-century |
mk223
Italian painters
|
|
43440 |
|
The Ideological Position |
mk172
Regarding the Indians in the New world gave rise to multiple debates attempting to explain a relity that was entirely new to Europeans.
|
|
57194 |
|
The illusion of youth |
mk253 canvas 170 x 204 cm in 1953 in St. Petersburg, Russia museum |
|
71435 |
|
The Illustrated Newspaper |
ca. 1868(1868)
Oil on canvas
42.9 x 35.1 cm (16.89 x 13.82 in)
|
|
43438 |
|
The image of the Archangel |
mk172
Michael alludes to the Spainards-stugle against Evil |
|
27580 |
|
The immaculate conception |
mk56
oil on alabastro fiorito,set within a verde antico border
|
|
75719 |
|
The Infanta Isabel Clara Eugenia |
ca. 1570(1570)
Oil on canvas
116 ?? 102 cm (45.7 ?? 40.2 in)
cjr |
|
64236 |
|
the infanta isabella clara eugenia |
1584
madrid, prado |
|
78174 |
|
The Infantes Don Alfonso |
Date about 1613-1614
Medium Oil on canvas
Dimensions 48 13/16 x 38 3/4 inches
cyf |
|
76405 |
|
The Infantes Don Alfonso el Caro and Doaa Ana Margarita |
about 1613-1614
Oil on canvas
48 13/16 x 38 3/4 inches
cjr |
|
43376 |
|
The informing of Montezuma |
mk171
Pictografias of the memory, rcursos of the conscience
|
|
27587 |
|
The interior of a classical building,with soldiers guarding the entrance at the base of a set of steps |
mk56
oil on canvas
Follower of Antonio joli
|
|
33053 |
|
The Intruders |
nn08
|
|
42573 |
|
The Israelieten threaten to come in uprising and De steniging of Mozes |
MK169
Aaron and jozua 432-40 n. Chr.
Mozaiek in the ship of the S. Maria Maggiore, Rome |
|
44445 |
|
The Judgement of Paris |
1430-40
Tempera on wood,
diameter 70 cm |
|
45672 |
|
The Kaffeegeschaft |
mk186
Venice, Museo Corret |
|
34150 |
|
The Kalila and Dimna animal fables |
mk90
Tabriz 1360-70
Istanbul University Library
f.1422
|
|
41781 |
|
The King Abgar Receiving the Mandylion,with the Saints Paul of Thebes |
mk165
Antony
Basil and Ephrem
|
|
64209 |
|
the labours of the months |
from tre's riches heures du duc de berry |
|
27522 |
|
The lamentation |
mk56
pair,both oil on panel
|
|
79905 |
|
The Land of Evangeline2 |
Oil on canvas, 33 x 45.5 in
Date 1874(1874)
cjr |
|
35412 |
|
The Landing at Tanna Tana one of the new hebrides |
mk102
c.1775-76
Oil on panel
24.1x45.7cm
|
|
50483 |
|
The Landscape of New England |
mk212
oil on canvas
1851
36x53in
|
|
44845 |
|
THe Laocoon Group |
mk176
Marble
Vatican Museum
Rome
|
|
57136 |
|
The last border checkpoint on a hotel |
mk253 canvas 51.1 x 65.8 cm Moscow in 1868, the State Tretyakov Gallery collection |
|
41858 |
|
The Last Judgement |
mk165
Ukrainian National Museum
|
|
41889 |
|
The Last Judgement |
mk165
From the Solvycegodsk Annunciation Cathedral
|
|
41901 |
|
The Last Judgement |
mk165
53x42cm
The Stater Tretyakov gallery
|
|
41822 |
|
THe Last Judgement Novgorod School |
mk165
162x115cm
|
|
29189 |
|
The Last Judgment |
mk65
Tempera on panel
18x27 1/2"
|
|
64218 |
|
The Last Judgment |
248 x 218 cm (centre), 248 x 94 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The majestic arched composition, borrowed from Raphael, the scientific representation of the numerous, animated nude figures, and the dull, brownish but smooth colouring already point to the strongly Italianate tendency in the painting of Van Orley. The subject of the side panels is the Seven Acts of Mercy. , Artist: ORLEY, Bernaert van , The Last Judgment , 1501-1550 , Flemish , painting , religious |
|
86784 |
|
The Last Judgment and the Wise and Foolish Virgins |
Date 1450s and c. 1480
Medium Oil on oak panel
Dimensions Height: 65 cm (25.6 in). Width: 35 cm (13.8 in).
cjr |
|
49227 |
|
The Last Meeting of Lee and Jackson |
mk195
1869
Oil on canvas
102x74
|
|
71143 |
|
The last penny |
1845(1845)
Oil on canvas
99 x 132 cm (38.98 x 51.97 in)
|
|
56790 |
|
The Last Supper |
mk250 Louvain in Belgium, Saint Peter's Cathedral, in the year 1464-1468. Oil painting of wood, about 182.9 x 152.4 cm. |
|
56810 |
|
The Last Supper |
mk250 Florence, Italy, the Sisters of St. Apollonia Road House restaurant. Year in 1447. Frescoes 457 x 975.4 cm. |
|
43484 |
|
THe Liberation of St. Peter |
mk172
it is distinguished not only for the use of color and the dramatic effect of the interplay of light
|
|
65255 |
|
The Life of St Eulalia |
1350 Tempera on wood Cathedral, Palma de Mallorca The altarpiece has a composition characteristic of 13th-14th century Sienese painting. The figures and the scenes show the strong influence of Pietro and Ambrogio Lorenzetti. The master of the altarpiece is referred to as the Master of the Privileges after he had illustrated the famous Majorcan Book of Privilegies of about 1334. Artist: UNKNOWN MASTER, Spanish , The Life of St Eulalia , 1301-1350 , Spanish , painting , religious |
|
78564 |
|
The Little Parisienne |
1883
cjr |
|
43402 |
|
The look of the oto, between failures to meet up and cruelties |
mk171
|
|
75021 |
|
The Love Birds |
19th or early 20th century
Oil on canvas
68.3x45.4 cm
cjr |
|
76773 |
|
The Love Birds |
19th or early 20th century
Medium Oil on canvas
Dimensions 68.3x45.4 cm
cyf |
|
37620 |
|
The Love Letter |
mk127
|
|
27533 |
|
The madonna |
mk56
oil on canvas
|
|
27508 |
|
The madonna and child |
mk56
oil on panel
|
